Tag Archives: Best of 2013

Best of 2013: Best Songs (Non-Worship Category)

Hello again!  My last post was all about albums (and I didn’t even mention how strong Foy Vance’s entire Joy of Nothing album was), but sometimes you just gotta love a song.  Here now is my list of the best songs of 2013–some catchy, some powerful, some emotional, some just fun.  I won’t offer much explanation, and if you want to know why the “non-worship” clarification, see my last entry.  In no particular order:

1. The Perfect Life–Moby; such a happy song, great to jog to.  With the help of Wayne Coyne of the Flaming Lips.

2. Give Yourself to Dance–Daft Punk.  They had a song that got a lot more radio play, and if you liked that but couldn’t admit it because of the questionable theme, this is the song you want to listen to–same singer, same vibe, more agreeable lyrics.  (The message: you should dance.  Give yourself to it.)

3. Open-Ended Life–The Avett Brothers.  Again, the harmonica.  Yes.

4. From This Valley–The Civil Wars.  The happiest song this unhappy duo ever wrote.  Sweet Jesus, carry me.

5. Ingenue–Atoms for Peace; all about mood; I love the percussion that sounds like someone’s off banging pipes in the basement.

6. Tie: Step & Diane Young–Vampire Weekend.  Tracks 3 & 4 from one of my albums of the year.

7. Sun–Sleeping At Last.  Do yourself a favour; go out in the sun, somewhere beautiful in nature.  Put on some good headphones.  Listen to this loud.  “We are the apple of God’s eye.”  Feel happy to be alive and loved.

8. Brenninstein–Sigur Ros.  The Icelandic boys show some muscle.

9. Can’t Complain–Relient K; This is from their 2013 release Collapsible Lung, a collection of pop songs you initially don’t want to like, until you find they won’t leave your brain.  A song about being content; I needed it this year.

10. You Put the Flame On It–Charles Bradley.  The Screaming Eagle of Soul relaxes for a song that gives off an old-school Smokey Robinson, 60s era Motown vibe.

11. Tie: I Shall Not Want/Good to Me–Audrey Assad.  Two deeply moving, almost essential songs, both featuring portions of Psalm 23.  The lyrics to the first are deeply honest and ultimately both are very hopeful.  Here, listen:

12. Tie: Janey/Guiding Light–Foy Vance.  I’ve written about him before, and could include a couple other songs from his latest album, but these two are both excellent.

13. Low Light Buddy of Mine–Iron & Wine–There’s new fruit hangin’ from the old fruit tree.  2013’s most overlooked album.

14. Retrograde–James Blake–this year’s Mercury Prize winner at his best, with ethereal music and handclaps, a nearly perfect 3:44.

15. Gonna Let My Soul Catch My Body–Over the Rhine.  Smooth.

16. Bleeding Out–The Lone Bellow.  Featuring my favourite lyrics of the year: All the buildings they lean and they smile down on us and they shout from their rooftops words we can’t trust, like “You’re dead, you are tired–you’re ruined, you’re dust.  You won’t ‘mount to nothin’, like tanks full of rust.”  But we scream back at them from below on the street.  All in unity we say “Our time’s been redeemed!”

17. Electric Lady–Janelle Monae.  Funky pop perfection, showing off nearly everything Ms. Monae does best.

18. Loneliness & Alcohol–Jars of Clay.  Jars show they’re still vital with this song about the way many people in the West bury their true selves under things that don’t matter, all just to protect themselves.  We’ve all been here, even if alcohol wasn’t the thing that we used.

19. Spotlight–Leagues.  Um, maybe the catchiest song on this list.  Great debut album.  “Romantic live is the least of these/It comes and goes, come and goes so easily.”  Go on, listen:

And there you go.  Hope you can discover some new songs here to brighten up your life and point your compass the right way.  What were your top songs of 2013?


Best of 2013: Albums of the Year–Non-Worship Category

Alright, time for my favourite albums of the year.  Some guidelines:

1. Again, I listen to what I listen to and I haven’t heard a lot of other stuff.  There are albums on everyone’s Top 10 this year that I’ve never heard.  So these are my favourites from my own listening.

2. I’m excluding worship music because I feel like it has become its own category.  So this list of albums includes both music by Christians and music by people who don’t believe, but music specifically designed for personal or corporate worship will get its own category.

3. The concept of album is an important one to me.  I heard a lot of great songs this year from bands who weren’t even considered for this list, because to me, an album is a cohesive statement, a single unified work of art.  There are lots of records with a small handful of fantastic songs and some filler, records that feel like collections of singles.  Those, to me, aren’t really albums.  In the age of mp3 and instant download this is somewhat of a lost art, and bands are trying new ways to release their music to the masses (see, for example, Sleeping At Last’s Atlas and Yearbook projects).  But everything on this list feels like a full album to me.

We’ll do a few by category, leading up to the actual Album of the Year category.  So without further ado:

1. Best Debut: The Lone Bellow by The Lone Bellow.  Many of you have probably heard the story: Zach Williams, who is also a worship pastor (or was at some point), began writing music out of journal entries he had written whilst processing a horrible accident his wife was in that they thought was going to leave her paralyzed for life.  The heart of the band is he and two other singers, and the three of them make harmonic magic together.  It’s a great album top to bottom on themes of loneliness, loss and faith in the midst of trial.  Their sound is something like a sped-up Civil Wars hung out with Mumford and Sons and decided to make their music 25% more country, by way of Brooklyn.   Powerful lyrics, powerful music, and apparently a killer live show which they are bringing all the way to Sheffield this year.  Can’t wait!  Here is one of their more hopeful numbers:


2. Best Hip-Hop Album: Instruments of Mercy by Beautiful Eulogy.  This, THIS is what hip-hop should and could be.  Recorded organically with lyrics that are wrestled over and debated before finally settled.  The title describes the theme beautifully, and the two rappers trade verses back and forth, parsing Biblical theology about mercy.  It’s fun, it’s catchy, it’s deep.  It’s Truth.  And it’s free!  And I don’t even agree with every song (I’m looking at you “Signs and Symbols”).

Runner-Up: Heath McNease’s The Weight of Glory: Second Edition Heath McNease, a singer-songwriter and rapper (depends on which album you listen to), put out two albums of songs on the works and themes of C.S. Lewis.  The first is singer-songwriter stuff and it’s good.  The 2nd takes all those same songs and tracks and adds hip-hop remix, and the result is at times powerful, a meditation on mortality and immortality.  A handful on the songs on here were in constant rotation in my head in the weeks following our friends’ accident this year.  Not all of it works for me, which is why it is only given runner-up status.

3. Best Album You’ll Be Surprised To Hear that I Have: 20/20 Experience (Volume 1) by  Justin Timberlake.  Um…yeah.  So, there was this one day that UK amazon was selling this really cheap, and I already had some credit, so I got it for like $3.  I had never listened to or wanted to listen to him before, but I’d heard a review of it on a podcast talking about the old-school soul sound and the long meandering songs that weren’t really packaged for radio, and I was intrigued.  I’ve really been interested in soul these past two years, so I bit.  And guess what?  There’s some great stuff on here.  Mirrors.  Tunnel Vision.  A handful of songs I really like.  And some that I don’t.  I gave Part 2 a listen and found it so offensive that I turned it off after 10 minutes.  But yeah…JT.  Talented dude.

4. Best Palette Cleanser From That Last Choice–Magpie & the Dandelion by the Avett Brothers.  I love the Avett Brothers.  You knew that.  And they had an album this year.  It’s different from their past couple of releases–more mellow songs than upbeat.  But think about those songs–Vanity, the Ecclesiastes-inspired number, or Open-Ended Life, or any of the others really, instead of that JT album.  Thanks.

5. Biggest Disappointment that I Wasn’t Disappointed In–Reflektor by Arcade Fire.  I never really get Arcade Fire.  I have tried to love Funeral and Neon Bible, but nothing doing.  Suburba got me–Ready to Start is such an amazing song, and the album closer is beautiful as well.  And then Reflektor, with its 70s vibe and its long songs and weird videos and way-too-much marketing, came along and everyone was psyched and then disappointed.  I had some music credit on this one website and couldn’t find anything else that I wanted that they had (choice was limited) so I got this.  And you know what, I like it, especially the 1st half.  I think their attitude, especially the lead singer’s, is horrible but there are some good tunes here.  In fact, combine half of #3 with half of this and you’d have one incredible (but really bizarre) album.

6. Most Puzzling Album–I Am Mountain by Gungor.  Towards the start of the year, Michael Gungor announced that his band would put out albums under two names–the already-established Gungor and also as something called “The Liturgists.”  These albums might even contain some of the same songs, but one would be just for listening and the other for worship.  There has been no news of an actual Liturgist album as of yet, but he wasn’t kidding about the other part.  After a fantastic worship album (Beautiful Things) and a worshipful work of art (Ghosts Upon the Earth) comes this one.  With songs from mythology and with auto-tune and hard-to-follow lyrics and poetry.  I was unimpressed at first.  But I gave it time, since I’d already spent the money.  And it’s worth it.  Some really good music, and it does feel like a cohesive whole.  I just don’t fully get it.  But that’s okay.  Sometimes art is like that.

7. Comeback Album–Engine of a Million Plots by Five Iron Frenzy.  Yes, Five Iron Frenzy.  We live in the age of Kickstarter right now, and one of the side effects of the Kickstarter phenomenon is that tons of bands whose days had seemed to past are coming back by raising album money on Kickstarter.  Supertones have done it, The Choir, Steve Taylor, Gungor, many others.  Five Irons’ money was raised in less than 24 hours two years ago, and the album finally dropped.  I think the mix is a little weird, with the vocals hard to make out,  but the whole album is really good.  Largely abandoning the ska sound for more of a rock-with-horns approach, this album doesn’t feel like a “trying to capture old-magic to fulfill our Kickstarter” thing that some of these projects have, but instead feels new and vital.

8. Some Other Good Records that Didn’t Fit in Any Categories–I also recommend the latest from Sigur Ros (Kveikur), Iron & Wine’s largely forgotten Ghost on Ghost, and the 2nd album from the Screaming Eagle of Soul, Charles Bradley, Victim of Love.  If you don’t know his story, look it up.  It’s a good one.

Which leads us to…

9. Best Overall Albums of the Year (a tie)–Modern Vampires of the City by Vampire Weekend and Electric Lady by Janelle Monae.

I’ve already written in a recent entry about my love for Ms. Monae.  Her second full-length album came out this autumn, and it is a winner from beginning to end.  Except the “skits”.  This is a tradition in certain types of music that I could do without.

It’s worth saying that this CD took awhile to digest, and I didn’t love it on first listen.  But after three or four, I was hooked, and for me, there aren’t even really any skips.  Granted, the second half took longer to absorb than the more traditionally upbeat first half, but this is a fantastic record all the way through.  Everything works–the vocals, the quirky songs followed by more traditional ones, the horn section–oh, that horn section.  Simply fantastic top  to bottom.  Come to the UK, Ms. Monae, please?

And now Vampire Weekend.  This one’s a surprise to me.  There are many albums and bands that I’ve just never had time or extra money for that I always suspected I’d like.  I’ve never heard Transatlanticism by Death Cab for Cutie, but I suspect I’d love it.  Through their first two albums, Vampire Weekend intrigued me but I just never gave it time, never bought it or listened to it on Spotify.

And then this came out, and the reviews were stellar.  I decided to give it a spin on Spotify, and man, oh, man, what an album.  This collection of songs, like Ms. Monae, is worth giving some headphone time to, because there is so much going on in the music.  The band builds layers of sound, with different elements weaving in and out or hidden in the background.  That pulsing halfway through the first song; the haunting choral vocals scattered throughout.  Some songs rock, others are quiet and pensive; some sound brand new, others (like that closer, with whatever effect or filter they put on the piano) sound old but timeless.  Not a single skip in the bunch–every track remains on my iPod.

It should be said, however, that this is not a happy or encouraging album.  It is largely a collection of songs in which these four men wrestle with God and their lack of belief in Him.  What’s interesting is that usually when you get people wrestling with God, they are wrestling with the Christian notion of God.  In this case, they seem to be wrestling with the Jewish notion of God.  And they don’t ever reach any positive conclusions.  So not a very helpful record in that sense.  But the craftsmanship, originality, passion and power in these songs is undeniable.  And some of the statements they make and questions they ask about the things we value in life actually are helpful.

So that’s that.  What were your albums of the year?  Coming soon, Best Songs, Best Worship Music, and maybe best Live Gigs or people to follow on Twitter or glasses of root beer or anything else I feel like writing about.  But at least those first two.  See you soon.

Best of 2013: Best Cinema Moments

Alright, here we go again.  I don’t actually go to see new films that often in the cinema.  Having two kids and a full time job that largely happens in the evenings means that finding the time is challenging, and it’s so dang expensive here.  The nicest multiplex in the area costs £9 a ticket, and I just don’t feel good about spending that for movies.

So this is not in any way a “Best Films of 2013” list.  I haven’t seen many of the films that are going to win all the awards; many haven’t even come out here yet.  This is more a list of my own personal year in the cinema.  I cheated a little and counted a couple of the year’s big movies that I saw on DVD, so consider this my review of my year in new films.  Okay?

Biggest Disappointment: Gravity.  Yup, starting controversial right off the bat.  Don’t get me wrong–the cinematography and effects were stunning in IMAX 3D, the acting fantastic.  It just left no mark on me.  I expected more–I expected to be sucked in and to be holding my breath the entire film.  It was a fine film, but it just didn’t connect with me on any memorable level.  I know a film has hit something when I wake up the next day and think about it sometime within the first hour.  It was halfway through the next day before I remembered I’d seen it.

Best Loud, Explode-y Movie: Iron Man 3.  Okay, most summer blockbusters these days, and forgive me for sounding old, all kind of run together–explosions, fights, special effects, CGI.  I see less summer movies each year.  They often fail to impress.  But Iron Man 3 was highly, highly entertaining and continues the Marvel pictures trend of just generally being awesome.  It was superior to its two predecessors; the action sequences varied in tone and pace, with the final one being very, very clever (all the bits of the suit and multiple suits flying around).  It was hilariously funny in places (remember that one guard–“These people are weird”) and even a bit subversive.  Note its treatment of Iron Man’s most well-known nemesis from the comics, turning him into…Trevor.  Ultimately fluff, but very, very entertaining fluff.

Most Underrated: The Lone Ranger.  Ooh, controversial again.  Now, don’t get me wrong–this is by no means a great movie.  But it annoys me when films are proclaimed to be bombs before even critics have seen them or a paying audience has had a chance to decide for themselves.  People stay away because they’re being told by the media that everyone else is staying away.  So I saw it because I thought it looked fun.  And guess what?  It was fun!  It has its terrible moments–some of Johnny Depp’s Tonto antics are over the top (but not as many as you think), Helena Bonham Carter serves almost no purpose, some of the humour is out of place and it probably should have been cut by 20 minutes.  But it is far, far better than either the third or fourth Pirates movie, and maybe even the second.  Armie Hammer does a great job in the title role, and the final action sequence, when the William Tell Overture finally kicks in, was just crackers.  I had fun.  Empire Magazine, whose reviews I happen to like, agrees–their DVD review gave it a defiant four stars.

Most Ridiculous Moment: I saw Man of Steel on DVD.  It was okay.  The tone was all over the place.  Some of it worked for me, some of it didn’t.  It was more science fiction-y than expected with more fight scenes than character development.  I liked the way flashbacks were structured in, as well as Russell Crowe’s characters multiple appearances after he is dead.  But there is one moment that made me laugh out loud when it wasn’t supposed to.  General Zod has come to earth and announced that earth better turn over Superman or they’ll be in trouble.  Superman has to decide whether to turn himself in or not.  He goes into a church and speaks to a priest while deciding whether to save mankind by giving himself up.  If the metaphor wasn’t obvious enough, there’s this shot:


Yes, that’s Superman thinking about it, with a medium close-up on his face, and the background behind him a huge stained-glass image of Jesus in the Garden of Gethsename.  It was so much the opposite of subtle that I name it most ridiculous moment of the year.

Biggest Cry: Saving Mr. Banks Fine, I’ll be vulnerable.  It hasn’t been an easy year, and I’m prone to crying at random times set off by random things.  Joshie has been watching Wall-E a lot and the moment where “Thus Spake Zarathustra” kicks in and the Captain stands on his feet makes me tear up almost every time.  But in the cinema, I found myself bawling for no clear reason two or three times in this tale of how Walt Disney convinced P.L. Travers to grant the rights to Mary Poppins.  I felt like I was crying for broken humanity and for the possibilities of a redeemed humanity.  Or maybe I was just tired.  But when they get Ms. Travers to dance to Poppins closing number…my tear ducts opened and didn’t shut for awhile.  Luckily, I was the only person in the Showroom that day.

Biggest Surprise: Monsters University.  As you know, I’m a huge Pixar fan, but  their last two films before this, Cars 2 and Brave, had somewhat tarnished their reputation.  Cars 2 was a fun James Bond parody but not much more, and Brave was beautiful with a somewhat cliched story.  Monsters, Inc. was never one of my favourite Pixar films, so I wasn’t sure how I’d feel about its arguably unnecessary sequel, which is not much more than an Animal House for Kids.  To my surprise, I found it hilarious and had such a good time watching it that I look forward to seeing it again.  The jokes and story just worked for me.

My Favourite Picture of the Year: No big surprise if you know me, but of what I’ve seen thus far, my favourite movie is Joss Whedon’s Much Ado About Nothing.  Filmed in his house with a bunch of his actor friends during his two week break between filming Avengers and editing Avengers, Much Ado is modernised Shakespeare the way it should be done.  Granted, it was a setup for me–my favourite writer-director directing actors from all his previous works in one of Shakespeare’s funniest, lightest works.  I saw it at the Showroom and smiled through the whole thing.  It’s the only film this year I felt inclined to buy and re-watch, and I’m even nerdy enough that I plan to watch it with commentary soon.  Be forewarned: it is PG-13 for some unnecessary sexual content (no nudity, but two scenes of uncomfortable implication), but if you skip those two scenes, it’s the most fun I’ve ever had watching Shakespeare.  And Fred and Wesley, together again!

Lastly, some quick acting awards, again reminding you that this is just for films I’ve seen:

Best Actress: Amy Acker in Much Ado About Nothing–how she is being overlooked in awards season is something I can’t quite grasp–most of the cast is good but she is superb as Beatrice.

Best Actor: Tom Hanks in Captain Phillips–I’ve never been a huge Tom Hanks fan one way or the other, but the last five minutes of this movie, where Hanks’ rescued captain goes into shock, is some of the most powerful acting I’ve ever seen.

Best Supporting-Actor: Tom Hiddleston in Thor 2.  Okay, I’m sure there are loads more serious performances I could put here.  But without Hiddleston, Thor 2 doesn’t work.  His Loki, 75% villain, 25% hero, is the most interesting character Marvel currently has going, and he has never been better than in Thor 2.

I’ve got nothing for Supporting Actress.  Just haven’t seen enough.  Sorry.

Well, that’s it for today.  Stay tuned for the next in my Best of 2013 series.